Every community is
having its culture, tradition and history and the same are most dearest to them. On the basis of these one can easily fathom
the importance and the greatness of any community. We similarly as Goans have
our cultural and traditional attributes and those who know the importance of
these they will oppose and condemn those who mutilate and murder these cultural
and traditional items. Our Folk songs and Folk tales fall into our cultural and
traditional items. When Bobby Picture
came somewhere a quarter of a century back and where in that movie our Dekhni
“Age Nari, tujeam nakant nothim…..was sung not as it was but mixing up with
Hindi song, there was such a noise made by the Goans attacking that movie makers
so vociferously that some even calling them as robbers who robbed our cultural
and traditional musical item, that is, one Folk Song a beautiful “Dekhni”. These cultural and traditional items
were composed centuries back by some great musical minded Goans whose names we
don’t find in the books of history.
Hence, we put them into the category of cultural items under the
category called “Folk Songs”.
These Folk songs cannot be changed nor altered
with the passing of the time, they remain the same in script as well as in tune
so that its contents remain unaltered for everyone to sing in the same way as
it was sung in the beginning. For this reason the Folk Songs are sung with the
same ease, with the same tune and with the same words by anybody from that particular
community, young as well as old. And it is to be noted that it is these
cultural items that unite us or any other community.
However, to my regret,
even our Mandos have been found with some changes and alterations made by the
stupid Goans who got no business to touch the originality of it, these changes
are brought by replacing some of the original words with the new words. Mandos
and Dulpods are our great and rich cultural heritage, especially the
traditional whose composers are unknown.
Some of our stupid Goans act as if these Mandos are their fathers monopoly
to allow them to change the same as they deem fit. Because of its unchangeable characteristics
every Goan sing the traditional Mandos exactly they were sung since its
birth. And as a matter of fact these
Mandos and Dulpods which are always attached to each other. Mandos are playing
a great role among Goans to unify them under one banner. When you sing Mando you are even as a
commoner you are integrated with any other top, elite and aristocrat Goan.
And because of its uniformity and everything being same, since centuries
back, everybody can sing it, either
young or old in the same manner as they sung when they were first sung
following their compositions. Those
stupid Goans who bring some changes in
our Mandos and Duulpods to suit their needs they are doing a great injustice to
our rich Mandos.
Those who are altering
the originality of Cultural – Traditional -Folkoric items they are the greatest criminals who are committing great
crimes on our Folk Songs. They are the most backward Goans who are totally
ignorant of our Cultural heritage. You cannot REMIX IT.
Today it was brought to
my notice by Rosario Fernandes the son of great Tiatrist and singer of
yesteryears, Alexinho de Candolim, how a particular lady singer changed and altered
one beautiful song of his father as a REMIX thereby destroying the original
beauty of this particular song. Alexnho
de Candolim’s songs are not meant for others to sing and nobody is capable to
sing them as he did. He was a genius in this art. Those who remix it
are not even worthy to touch a single letter
of his song. These people who
indulge in Remixing his songs are the greatest robbers of the greatest songs of the greatest composer and singer Alexinho de Candolim. Without even asking permission from his son and doing the
Remix is not correct. He is dead no doubt but his son is very much alive and living in his villge Candolim.
Those who are
capable to take corrective steps in this matter must do it now before more such
incidents take place.
A.Veronica Fernandes.
