PANCHAYAT ELECTION AND OUR CANDIDATES.

As per the available information, Michael Lobo (MLA) during his speech at Sinquerim on 16^th of this month,  for the inauguration of children Park, said that he will work to appoint an enquiry commission  to investigate the disproportionate asset accumulated by some politicians and strongly reprimanded some elected Panchayat members who behave like Maharajas and Hitlers in Calangute.  Some of these politicians are even known to give ill-treatment to the locals when they come to the Panchayat office for any official work, said Mr. Lobo. Michael Lobo with his humble background is, inspite of reaching to such a high level, still the same having not lost his  originality. His simplicity and accessibility even to his opponents has helped him to win the second term.

It is my request to Mr. Lobo to apply this enquiry commission jurisdiction also to other villages including mine too where Ladr-Pedru type of people are owning chain of Hotels  and fleet of posh cars. We want to know from where they acquired the money to accumulate this fat asset.  Till yesterday these people had no proper Cycle nor a decent house but by joining politics first at Panchayat level and later  on  at upper level they acquired illicit wealth beyond their imagination and this wealth makes them act like Maharajas  and arrogant.

In my locality at least 2 “Ponch” Panch members are clearly indicating their wealthy assets by showing their hotel/restaurant and other things they acquired thru the illicit wealth they collected. They already got the taste of making money thru illicit means.  For this reason one of them is desperately trying to get a slot for him to contest the election outside of his Ward because his ward is gone into reserved ward.  The voters when they find such rogues contesting the election in your ward, please kick them out because they are outsiders in your ward.  Do not vote an outsider because these people are like Ghattis who are interested only in their wellbeing.

Ths is the only opportunity for the pople to show their anger on these Panchas who are rogues and acting like Hitlers.  Such Hitlers we must send to the Gas Chambers otherwise they will send us to the Gas Chambers if we allow them to win the coming election.

A.Veronica Fernandes.

COMING PANCHAYAT ELECTION.

Exactly a month is left for the next Panchayat Elections in Goa, the official date fixed is 11^th June 2017. What type of people we will elect this time? From the past record, most of the elected Panchayat members are proved to be crooks and corrupt thru which they amassed huge wealth.  It is a first step for the elected member that teaches him how to rob public and how to become corrupt. For this reason the Panchayati member becomes proud and arrogant since he acquires easy wealth by taking bribe from the public thru the selling of services which otherwise is FREE.

The system works like this as told to me by one of our Panchas.  When any one wants to construct something either a house or a big building, that person comes to the Panchayat for Licence which is otherwise free of charge but the Panchayat leader tells that builder to pay them x amount as bribe.  This amount then the Panchayat members distribute among themselves, the highest share goes to the Sarpanch.  For this reason the local Sarpanches are become fast lakhpoti.  To ask for the bribe they are  not even ashamed, they are shameless people and on top of it they go regularly to worship God in their Churches and Temples to pretend to be saintly creatures. They are a disgrace on their religions.

Because of this easy money making methods, they love this place and don’t want to retire from the local politics. They are the most cruel butchers having no soft feelings for the locals who cannot afford to pay the bribe not in thousands only but sometimes in lakhs. Now to contest the next election there will be a rush of all the Chor Bastards.  In my locality there is a man Mr. X who has acquired lot of wealth including Bungalows and Hotel/Restaurant without working anywhere but by demanding bribes from the public. He is known as the most corrupt non-Goan holding public office but he is very good in dealing with the people thru very friendly diplomacy.  In his Ward Y where he contests the election regularly, this time there is no place for him because his Ward this time is reserved for the Females.    Hence he moves to some other Ward Z where he is a stranger.  He does not mind undergoing any sacrifices but by all means he wants to get elected because there is lot of easy money flow involved without doing any work.

This time in my Ward whoever contests the election he must first declare openly his asset and wealth and how he acquired the same.  We have two most corrupt Panchayat members – one is a Khapri who thinks he is somebody an extraordinary man and the other is a non-Goan, diplomatically cunning.  Likewise, in every village in Goa people must grill the election contestants. We must know that their character is good and then only we must cast our votes.  I have a list of Builders who showed the names and amount they paid as Bribes to the local Panchayat.  At an appropriate time I will disclose it to the public.   

 A.Veronica Fernandes.                                                                 

125TH BIRTHDAY OF TIATRO CELEBRATED.

On 17^th April, 2017, at Kala  Academy Panjim, I attended the especial programme organised jointly by Kala Academy and TAG (Tiatro Academy of Goa) to mark the 125^th anniversary of the Tiatro.  The first Tiatro “ITALIAN BURGO” was scripted and staged by Lucazinho Ribeiro in Bombay 125 years ago, i.e. 17.04.1892.   I am sure, he must have never realized this baby known as Tiatro conceived by him would reach to this length and height. But the facts are facts for us to see the greatness of Tiatro since its birth.  It is the most powerful weapon in Goa now to shake the most arrogant authority and most powerful persons in Goa. The worst arrogance of Bhattkars was destroyed by Tiatrists and the worst caste discrimination was hammered by the Tiatrists only.  The mighty Salazar’s regime even got afraid of the mighty power of the Tiatro and precisely because of this during the Portuguese time in Goa Censorship was ruthlessly introduced for Tiatro and Tiatrists. Some of the Tiatrists were even barred from entering Goa from Bombay. Thru Tiatros we release our sentiments, hardships and feelings.  Tiatros became the voice of the rejected and those who were hurt by the top. Thru Tiatro we got justice in society because it became a very powerful method of obtaining justice from any authority taking interest in Goa.

Anthony San & Rita Rose

Moreover, Tiatro is become a big industry now engaging innumerable persons directly and indirectly earning good amount of money.  Did Lucazinho Ribeiro realized this commercial factor of his baby?  I am sure, not but when he started it, for him it must have been just to pass his time but destiny had its own route and this has what happened. 

Fatima - Antonette Mendes - Betty Naz

During the first decade the standard of Tiatro was high and some of the directors were educated who even translated Plays from foreign languages into Konkani. Only after a quarter of a century "Rostad" type of Tiatrists got involved in this field and brought its image low. Most of these Rostad Tiatrists were drunkards and womenisers who lacked basic discipline at home and  good family tradition and culture.  It is during this period that good people stopped patronizing our Tiatros. However, during this period the genius Minguel Rod appeared on the Stage and through his God given skill he totally revolutionised Konkani Satage by writing and staging extraordinary Tiatros of which type nobody is capable to write. 

Jose Rose

Then came on the Stage another genius J.P. Souzalin who by staging religious Tiatros brought name and fame  for Konkani Tiatros. Then came the golden voiced singer Alfred Rose who westernized the Tatro  thus attracting the youth and romantic audience.  In late fifties, the golden voice of Alfred Rose enhanced the rating of the Tiatro very much. Just before him came into the picture C.Alvares, Alexinho de Candolim, Kid Boxer, M. Boyer, Prem Kumar and many more.  All these Tiatrists were very much responsible to keep the flag of Tiatros flyiing higher and higher from where it will never fall down.  That is the base of Tiatro. Even those who do not understand Konkani among Goans they will learn Konkani to understand Tiatros because Tiatros have become very attractive especially of those great writers and directors. It is Tiatros that is responsible to promote and spread Konkani language and Goan culture and tradition. Nobody can forget the entry of Lorna on Konkani Stage that totally changed the face of Konkani Tiatro.

Eugeno Cardoso

Coming back to the function oranised on 17^th of this month, there were two ministers, one Francis D’Souza and the other Govind Gauvde as main guests, one director of Art & Culture Loliencar, one Secretary of Art and Culture Daulat Hawaldar and one MLA from Panjim Mr. Kuncalliencar. All these honourable VIP guests praised Tatros and assured their assistance and cooperation in promoting Tiatros and even building one more new Auditorium for Tiatro in Panjim. They, especially the elected representatives praised Konkani but will these people in the Goa Legislative Assembly at an appropriate time vote in favour of Konkani? I doubt. I will rather rely on Judas knowing his Kiss will betray me but never on those traitors who falsely profess their support for Konkani.   

Jessy Dias - Ben Evangelisto

The highlight of the celebration was the cultural programme “Goychea Tiatracho Ithias” in which rich tributes were paid to some of the yesteryears Tiatrists by introducing their songs and scenes of their famous Tiatros.  Joe Rose imitated Minguel Rod by singing his solo “Tarvotti” which was very well rendered with perfect imitation with the exception of not going Nasal as Minguel Rod.  The duet of C.Alvares rendered by Jessie Dias and Benevangelisto “Figur Haddlam Putan” was excellently rendered by both the singers. The character of C.Alvares played by Ben was perfect especially with respect to vocals.  But instead if they had to render the most beautiful duet of C.Alvares “Aum Tarvar Vetam” would be a majestic gesture because such a duet was never rendered on Konkani Stage.  The current generation would have also know the greatness of C.Alvares and why he was called the “Pai Duettancho”. The scene of Jesus Carrying the cross from J.P.Souzalin’s Tiatro “Saibinnicheo Sat Dukhi” would be still better if one great Motet in Latin was payed during that particular time.  I remember when Souzalin staged this Tiatro in Mapusa, the Music Director of Johnson and His Jolly Boys, Mr. Johnson (Joazinho) came to see this Tiatro twice, only to listen to the beautiful music of this Motet named “Filius Est Jerusalem” the most sorrowful Motet.  The current generation would also come to know the greatness of Motets in Latin which our elders played and sang till 45 years back.  Today these Motets are dying and some are already dead because we don’t have Solfist Mestiri in our Churches to keep them alive.  Our Churches have money to spend for anything and everything except to employ Mistiri with good knowledge of Solfas.    

A scene from Tiatro

The song "Kottecho Bikari" of Alexinho de Candolim rendered by Eugeno Cardoso an exfootballer of Dempo/Goa, was acclaimed as the best.  Though Eugeno Cardoso tried to imitate Alexinho de Candolim but still he remained far because Alexinho de Candolim was the born genius who while singing this song then, the overwhelming majority of the audience was crying in the "Mattou". Secondly, some of the original words were replaced and missed.   

The  duet of Alfred Rose “Goa – Zolmancho Ghaum Goa” rendered by Anthony San and original singer Rita Rose was excellent showing lot of originality while the beautiful Canto from M. Boyer’s Tiatr “Sounsar Sudhorlo” rendered by the original singer Antonette Mendes with her still mellifluent voice captured the hearts of the audience. Though she is ageing as seen from her physical features yet her attractive voice is still the same, i.e. what it was 50 years back.  She has served the Konkani Stage for over 60 years now and for which we are grateful to her, I pray to God to keep her in good health to serve the Konkani audience occasionally at least.

A.Veronica Fernandes.