April 24, 2013

Comedian Agustino's drama 'Corruption' brings down the house in Kuwait


-by Gasper Crasto / Kuwait

Kuwait: Goan dramas or films are traditionally known to be based on true to life story-line to a certain extent.

However, a new dimension is seen in recent dramas where most of the scripts are focussed on government issues or bureaucracy. ‘Corruption Kabar?’, as the name suggests, written and directed by well-known slapstick director of Konkani stage Comedian Agustino Temudo was no exception.

A few decades back, learned directors like Tomazinho Cardozo and Mike Mehta tried their hands on these kind of subjects but never rose to great heights. ‘Corruption Kabar’ proves how popular ‘political-based’ dramas have become with the public. Or is it only the humour of Comedian Agustin and his sidekicks that does the trick?

Nonetheless, ‘Corruption Kabar,’ has a realistic sentiment in today’s world of corrupt bureaucracy. The performance which drew a full-house on 12th April 2013 can be termed as a sequel of Comedian Agustin’s earlier super-hit tiatr ‘Public’. The drama was lively, and provided an absorbing evening of entertainment with a combination of laughter, tit-for-tat dialogues and sensible songs.

The plot of the play centres on the theme of eliminating corruption, not just from governmental structure, but from every strata of society. The script has a flowing ‘twist’ in highlighting rape cases too which is somehow related to the whole script although practically it falls in a different area altogether.

The play has epic, captivating dialogues, entwined with hilarious comedy by Janet, Selvy and Comedian Agustino.

The cast comprises a troupe of thespians with Salu de Loutolim shining in his dual roles.  Jessica, Tommy and Kuwait’s most popular star Sylvester Vaz bring color, charisma and nobility to the presentation. The brilliance of these actors is remarkable and demonstrates each actor’s individual talents. Salu de Loutolim’s terrific lightness and the spontaneity in his catchphrase dialogue ‘Kastachi asa tachi shape’, and the ethereal quality of his voice, makes him a standout nominee for a best actor award.

Veteran actress Sabina in the role of a widower is the emotional heart of the play, although the script lacks authentic emotions seen in yesteryear tiatrs of M. Boyer, C. Alvares, Rosario Rodrigues, Rosary Ferns, etc. But then, Comedian Agustin is no William Wordsworth to pen ‘touching’ tales, perhaps he relies on what is accepted by the public.

There were a number of other strong supporting performances by Jaju, Philip Almeida and Seby de Divar. Janet bloomed in her ‘lead’ role and in her bright outfits.

Director Agustin Temudo gave his role visibility, all the while delivering the most important sentences, and stressing on dialogues which were pivotal to the play. All the threesome -- Selvy, Janet, Agostinho were at their usual best with trademark accent and witty words.

Sylvester Vaz sang the opening chorus of the drama to a melodious music. Majority of the songs (cantaram) were noteworthy, but there were a few that stood a tad above the rest. Seby de Divar’s songs were well applauded although his style of singing has turned monotonous after only his second visit to Kuwait. Tommy’s songs were a cluster of variety -- nicely composed and weaved to stimulating tunes, he sang like a rock star. His song on Pope Francis was wonderful.

Political song by Seby de Divar, Sylvester, Tommy and Salu de Loutilim was based on the latest gimmicks by Goan politicians; however, the criticism directed at the government and some ministers is too open, too harsh (although it is nothing new in Konkani dramas).  It unethically exploits India’s freedom of speech. There are countries in the world, including Kuwait, where even twitters against the government are forbidden. It is surprising that no action is taken on the self-professed firebrand Konkani singers by the Goa government.

Philip Almeida and Janet were fluent in style and rhythm with their ‘Kerala-Goa’ duet while Jessica sang exceptional, rhythmic songs too. Songs by Jaju, Sabina, Selvy, etc, were equally good.

Musical score for the show is credited to the troupe’s musicians James Vaz & Agnelo Dias.

Earlier at the start of the drama, director Agustino Temudo was honored by the organizers in appreciation to the yeoman service done for the enrichment of Konkani stage and the cause of Konkani in particular. He was presented with a memento at the hands of the chief guest Mr. Terry Lantz from US Embassy. Mr. Tony Gonsalves from Wembley, UK was the guest of honor while the organizers of the show in Dubai Mr. Anthony de Varca  and Mr. Caje D’Costa were special invitees at the event.

Jesrico Dias, Agnelo Fernandes and Britto Pereira were the main organizers of the show supported by event assistants Ms. Martha (ex-Raja Stores), Mr. Felix de Merces, Mr. William D’ Souza, Domnic Araujo, Manuel Gomes, Santan Dias, Agnelo Rebello, Adrian Goes, etc. The show was co-sponsored by Sherly’s Beauty Saloon – Salmiya, Navelim Youth Centre, Skynet Raiders, Joaquim Vaz – Skynet, Rajendra Limbu – Nepal, Spinn, Brian Almeida – Parra, Marcos D’Costa – Navelim, Edgar Fernandes – Seraulim, Seby Fernandes – Sanvordem, Francisco Dias – Tivim, Francis Cruz (Azad Catering), Rocky D’Souza, Domnic Araujo – Santa Cruz and a well-wisher-Betalbatim.


:::The above NEWS appeared in Kuwait's Arab Times dated 23.04.2013:::

April 22, 2013

VCD “ZOXEM MHAKA TOXEM TUKA” By Godwin Afonso.


In this month at Kuwait City Cassette Shop, 4 new Konkani Albums are kept on sale. Price is very cheap, each costing 250 Fils while the same Album in the original cover at Tiatro Hall and at Football Ground sold at KD 1.000, either CD or VCD. This VCD Mr. Godwin has dedicated to his beloved mother. All the songs and skits are written by Mr. Godwin Afonso and the musical score is provided by Llenoy Gomendes.

The VCD “ZOXEM MHAKA TOXEM TUKA” by Godwin Afonso deserves mention now and hence I pen down a few lines on this VCD consisting of Songs and Comedy Skits; songs are rendered by various well known singers, namely majestically pretty looking Jessica, seasoned singer Felcy, Platilda’s daughter Ilma, Anthony San and Godwin Afonso himself. While the comedy skits performed by natural comedian Jesus, renowned comedy queen Platilda, ex Kuwaitkar and prominent Tiatro writer – director Pal Soares whose new Tiatro will be released shortly and other artistes.

The comedy was excellent and both the natural comedians Platilda and Jesus played their roles extremely well, Jesus was at his best while rendering a comedy duet “Antonet ani Competer” with equally smart Platilda, exhibiting his natural feelings thus making the song more lively. As for Platilda, once beauty of Konkani Stage but now inspite of aging dished out her role exactly in the same manner as she used to do when she first appeared on Konkani stage in mid-sixties with her brother Aires and promoted by the late M. Dod de Verna. She truly gives an added booster to this film even, as usual, speaking in Portuguese. Her assetic values on Konkani Stage are still vissible and in fact she is still an asset for Konkani Stage even though she is seen acting after a decade. I still remember her fantastic comedy roles she used to perform with Jacinto Vaz and Luis Rod. She has not lost any touch of her comedy even though it was a decade back she was last seen acting.

The songs to be admired are the ones rendered by Jessica with her mellifluent and trebulous voice with Felcy and other with Godwin Afonso. Anthony San’s solo is also meaningful. Godwin’s solo on “Cardanchi Pack” resembles that of the solo M. Dod de Verna rendered in his tiatro “No Vacancy” staged somewhere in 1958/59. Both the singers describe Biblical names and events by displaying the Cards while singing and comparing the same with the figures on the Cards. M. Dod de Verna's song was more meaningful and more educative.  Here below I give its last two verses:

Khellak bhullele munis, paddinant Aitar sont
Eko munnnchem somzotat, ek Dev Sotivont,
Him assat don soimbam, Dev ani Munis jivont,
Martoch he tin khille, Jesuk bhogli khont.

 
He aslet choug Evangelist, thoddik panch chagam, Jesuche kuddik poi sou dissani Devan sounsar ghoddlo,
King vortoulo dhoni Sorga Sounsaracho, kon khellak bhulleat tanni xevttak Joker zauncho poddlo.

Mr. Dod de Verna was hard hitting at those who are afflicted with the vice of “Kartancho Khell” finally turning into JOKER.  How true M. Dod de Verna was!!  May his soul rest in peace.  Since his death Konkani Stage has not produced another like him and if I am permitted, I can rightly say tha Konkani Stage will never produce another M. Dod de Verna.

A. Veronica Fernandes,
Kuwait. 

April 20, 2013

GEN. MUSHARRAF !! "SWORD BEGET SWORD".

He came to power like a thief, stayed away from his country for about 5 long years like a thief, returned to his country and when his bail application was rejected by the court he ran away from the courtroom like a thief and finally he was arrested by his country’s security like a thief only. This is Pakistan’s once strong man General Pervez Musharraf. His biggest mistake was illegally robbing the power from the legally elected Premier of Pakistan Nawaz Sharief.


This was the biggest robbery Musharraf commited on the will of the people of Pakistan by dethroning Premier Nawaz Sharief who was duly elected by the people of Pakistan and sending him into exile to Saudi Arabia. Good that Saudi authorities intervened otherwise I am sure Musharraf would send Sharief to the gallows just as earlier General Zia sent Zulfikar Ali Bhutto to the gallows.

 
‘Sword beget Sword’, says the holy book Bible. Nawaz Sharief is nicely enjoying his freedom as a free man while his enemy Musharraf who wanted to punish Sharief is himself punished by the law of Pakistan's judiciary. "Sword beget Sword".


What made Musharraf to take things lightly and return to Pakistan and fall into the jaws of court’s punishment? There was a time he with his iron fist used to bend and subdue the power of Pakistani Judiciary but now the same Judiciary is bending Musharraf and teaching him a very good lesson which he never expected - "Sword beget sword". These are Biblical words and one must pay respect to these word.

When once Musharraf tasted power it is very difficult for him later on to stay without power. For this reason he must have returned to Pakistan because 5 years in England and Dubai he spent with frustration for living without any power. It is very difficult for a person to remain powerless after tasting the power. It is said, "Lion once tasted blood will never give up tasting blood again". This is the power of the POWER.

Musharraf cannot live without power and to get it back he returned to Pakistan. He had money but money is not everything in life. For beggars money is the only thing that matters in life while for persons like Musharraf POWER is also imperative. For this reason he came back to Pakistan like a fool not knowing what is in store for him and directly fell into the hands of Judicary which is very powerful in Pakistan now.


A. Veronica Fernandes,
Kuwait.